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Building on the incredibly popular sE1, the sE1a retains the same capsule but combines this with all new, super-quiet electronics, all housed in a superbly restyled chassis.
This end-fire small diaphragm condenser microphone really is astonishing value for money. Great for drums, pianos, and acoustic stringed instruments the sE1a is a must have for any size studio. |
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A balanced stereo pair of sE1a mics with stereo bar and flightcase.
Building on the incredibly popular sE1, the sE1a retains the same capsule but combines this with all new, super-quiet electronics, all housed in a superbly restyled chassis.
This end-fire small diaphragm condenser microphone really is astonishing value for money. Great for drums, pianos, and acoustic stringed instruments the sE1a is a must have for any size studio. |
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The sE4 will replace the sE3. The mic is a remodelled sE3, designed to sound and perform exactly the same, and with very similar styling, but with one key new feature. The chassis has been re-engineered to accept 2 additional interchangeable capsules, a Hypercardioid and an Omni. Please note The Hypercardioid and Omni capsule set, is available as an additional purchase, for both single and matched stereo pair sE4 mics.
The packaging has also been updated with sE’s new hi spec black Aluminium, steel reinforced, flight cases. All sE4 packages ship with full suspension shock mounts included.
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The sE4 pair will replace the sE3 pair. The mic is a remodelled sE3, designed to sound and perform exactly the same, and with very similar styling, but with one key new feature. The chassis has been re-engineered to accept 2 additional interchangeable capsules, a Hypercardioid and an Omni. Please note The Hypercardioid and Omni capsule set, is available as an additional purchase, for both single and matched stereo pair sE4 mics.
All sE4 packages ship with full suspension shock mounts,
& sE’s new hi spec black Aluminium, steel reinforced, flight cases
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Based on the studio standard sE2200a, the USB2200a records via USB directly to your DAW and has several features unique from competitor USB mics including, zero latency headphone monitoring, mix control playback/record path, 10dB pad, bass cut and simultaneous analogue/USB feeds.
The USB2200a also has a proprietary chip and software set which deals with capsule noise when transforming the 5v power supplied via the USB cable to power the capsule, by first removing noise and spikes from the current. This noise would normally be amplified, which is why other USB mics are too noisy to use in a professional environment. |
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The sE2200A studio condenser mic draws on and improves the incredible specifications that won the original sE2200 so many awards around the world.
Utilising the much acclaimed sE 1” gold vacuum plated diaphragm, the electronics are all new and much improved offering low self generating noise and therefore a better signal to noise ratio.
The sE2200a has a low cut filter, 10dB pad and also comes complete with a very rugged aluminium shock mount and flight case. With improved chassis design and cosmetics, you can now have all the versatility of the original sE2200 with improved performance for the same incredible price. |
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The sE2200T is the long awaited tube version of the highly acclaimed and multiple award-winning sE2200a. Utilising the 2200a 1” gold vacuum plated diaphragm, and a brand new custom power supply, the SE2200T also has a low cut filter, 10dB pad and comes complete with a very rugged aluminium shock mount and flight case.
The 2200a has won just about every award going for excellence and value for money, including twice winner of the coveted Music Industry Association award in 2004 and 2006; the 2200T, with its silky low and mid frequency response improves on this already superb sounding mic with classic tube overtones. |
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The 4400a is the latest in a lineage of mics started 6 years ago with our sE2200a. Based on the same capsule tuning, but with a dual capsule to give multi polar pattern function, this mic is a rarity… a true all-rounder.
It has 4 polar patterns, Cardioid, Hypercardioid, Figure of 8 and Omni. 2 bass cuts at 60Hz and 120Hz; 2 pads at 10 and 20dB. The chassis is small… very small, but still manages to house a twin diaphragm 1” capsule and all the top grade electronics and switches. This flat, round edged chassis design allow the mic to be used flat onto a drumhead or guitar cab, or pushed through into the skin of a kick drum. It is also perfect for sung vocals and voice over work, because although it’s the smallest mic of it’s type, it still ‘looks’ big when used full face on. It is extremely thin at less than 3/4” and fits neatly in the palm of your hand. |
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The Z3300A is our most versatile FET microphone and utilises a large 1.07” twin diaphragm, which gives the engineer a choice of three polar patterns, omni, cardioid and figure of eight.
Couple this with a 100Hz low cut filter and new ultra clean, ultra quiet Z range electronics and the Z3300A is the ultimate solid state microphone for almost all recording applications, from vocals, to pianos and acoustic instruments. Complete with shockmount and flightcase. |
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The Z5600a II is one of the most versatile mics on today’s market. With 9 graded steps through omni, cardioid and figure of eight patterns, 10dB pad and bass cut, the Z5600a II finds uses in a huge number of applications, from mic-ing a live drum kit, to overhead on a choir.
This excellent mic has won its praise on delivering superb vocal recordings, with natural warmth and incredible detail. This beautiful mic, comes in a wooden presentation case, cradled in a full aluminium flight case with a large shock-mount and a brand new brushed Aluminium PSU with pattern switching and cables. |
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The Gemini II dual valve microphone is sE Electronics ultimate design. A no holds barred piece of microphone history. The dual valve design means pure valve warmth from the 12AX7 input valve coupled with a 12AU7 valve on the output stage in place of the traditional transformer.
The result is an incredibly large detailed and intimate sound reminiscent of the classic valve microphones from decades ago, but with all of the top end you’d normally associate with the best solid state mics on the market. |
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The ‘H1’ Hand Held Condenser is based on the sE2a condenser capsule, re-voiced and tuned to accept an SPL of up to 145dB. The H1 has been designed to meet the needs of both the project studio user and the live/touring market.
The H1 has a specialised ‘internal shock mount’ which allows it to be hand-held during a live performance with very low handling noise, much like a traditional dynamic mic.
However, it’s capsule is that of a true condenser, so live performances are much ‘clearer and richer’ than they would be with a dynamic mic.
It’s a true all-rounder with fantastic studio recordings and live sound. |
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The Reflexion Filter is basically a portable device for recording live sound sources with reduced room ambience. It is an advanced composite wall which is positioned behind any microphone by means of a variable position stand clamp assembly which ships with the product.
The main function is to help obtain a ‘dry’ vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recording device, or in rehearsal studios to reduce ambient noise. |
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Many of our 25,000 Reflexion Filter users have asked us to produce a stand which lets them clip lyrics or Music in place while they are making recordings, so we’ve come up with the RF Music Stand. It clamps easily onto the top of the RF in seconds, and comes with clips to attach your notes. |
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The Instrument Reflexion Filter is designed on the same principles as its bigger brother the Reflexion Filter. It forms a small curved wall of punched Aluminium, with 3 layers of polyester fibreboard separated with air gaps, which helps reduce room ambience and isolates the mic from ambient noise. The IRF has a hole punched through it to allow a pencil mic, or SM57 etc to be fixed through it, especially useful when close micing drums (to help with track separation) or overhead micing. The IRF is ideal for use with Pianos, Drums and wind instruments, where thr RF is used for vocals and guitars. |
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sE Electronics were always being asked by their high-end clients where they could get a true professional quality mic stand. They found that the one or two companies in the USA making what we would consider to be pro quality studio stands were charging thousands of dollars for each stand.
So, they went back to the old school designs and built stands made to last, stands made to take heavy loads without wobbling around with your very expensive mic on them, stands made to the standards that sE apply to all of their products. The result, a series of stands for project and commercial recording studios, and for orchestral use, that meet the best standards in the world, but at a fraction of the price. |
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Another first from sE... simple, but highly effective. This is our professional solution to the problem of needing different pop shields to suit vocal performances.
The device has a stong goose neck with both a standard fabric membrane and our pro metal pop shield on a hinge mechanism. You can use either separately or both simultaneously depending on the application. |
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The unique metal screen is not simply perforated but louvered at a slight angle to redirect ultra-low frequency breath blasts which are pushed past the side of the screen. This process does not attenuate high frequencies, as fabric screens do, and leaves the vocal performance unaffected but without annoying low frequency "pops". It's also built to last and will take a lot more abuse than a traditional fabric sheild, so its great for commercial applications. |
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If you need any product information, or advice, please feel free to contact us anytime and we'll be glad to help out.
Please email: sales@sonic-distribution.com
Or call the Main Office: (0845 500 2 500) Monday to Friday 9.30-6.00pm |
Copyright Sonic Distribution LTD. 2007 All Trademarks and ownership rights respected. |
